Contact and Repertoire
Representation
Opera Repertoire
Representation
Patrick Togher, Director
Patrick Togher Artists’ Management
109A Burradoo Rd
Burradoo NSW 2576
Email: patrick@patricktogher.com
Mobile: 0411 129 690 (Patrick Togher)
Website: http://www.patricktogher.com
Natalie De Biasi: Artist Manager
natalie@patricktogher.com 0403 770 602
Paull-Anthony Keightley: Artist Manager
Paull@patricktogher.com 0433 04
Patrick Togher, Director
Patrick Togher Artists’ Management
109A Burradoo Rd
Burradoo NSW 2576
Email: patrick@patricktogher.com
Mobile: 0411 129 690 (Patrick Togher)
Website: http://www.patricktogher.com
Natalie De Biasi: Artist Manager
natalie@patricktogher.com 0403 770 602
Paull-Anthony Keightley: Artist Manager
Paull@patricktogher.com 0433 043 502
Amelia Berry: Assistant Artist Manager
A member of international Artist Managers’ Association (IAMA) http://www.iamaworld.com
A member of Opera Managers’ Association International http://www.operamanagers.org
https://www.patricktogher.com/warwick-fyfe/
In Concert
Opera Repertoire
Representation
Bach, Ein Deutsches Requiem. Melbourne Bach Choir.
Bach, St.John Passion. Melbourne
Bach, St Matthew Passion. Canberra
Bach, B Minor Mass. Canberra
Bartók, Bluebeard's Castle. Monash Academy.
Beethoven 9. SSO, MSO, WASO.,
Beethoven, Mass in C. Melbourne.
Beethoven, Fidelio (WASO)
Dvorak, Stabat Mater (Willoughby Symphony)
Mahler 8. (OMM, Sing)
O
Bach, Ein Deutsches Requiem. Melbourne Bach Choir.
Bach, St.John Passion. Melbourne
Bach, St Matthew Passion. Canberra
Bach, B Minor Mass. Canberra
Bartók, Bluebeard's Castle. Monash Academy.
Beethoven 9. SSO, MSO, WASO.,
Beethoven, Mass in C. Melbourne.
Beethoven, Fidelio (WASO)
Dvorak, Stabat Mater (Willoughby Symphony)
Mahler 8. (OMM, Sing)
Orff, Carmina Burana SSO , MSO. QSO, ASO.NZSO.
Handel, Messiahs: Melbourne, Sydney, Brisbane, Adelaide, Hobart.
Missa Solemnis. SPO
Rachmaninoff, The Bells. (WASO)
Rossini, Stabat Mater. (SSO),
Szymanowski, Stabat Mater. (Melbourne Bach Choir)
Schoenberg, Gurrelieder. SSO
Verd, Requiem WASO, QSO, WAYO
Wagner, Rheingold, OMM (Sing)
Wagner, Walküre. WASO
Wagner; Parsifal OA
Photo:
Parsifal in Concert. Melbourne, with Maestro Pinchas Steinberg
with
Parsifal Jonas Kaufmann
Kundry Michelle De Young
Amfortas Michael Honeyman
Klingsor Warwick Fyfe
Gurnemanz Kwangchul Youn
Titurel David Parkin
Opera Repertoire
Opera Repertoire
Opera Repertoire
Warwick Fyfe is an Australian opera singer, Helden Baritone, considered to be one of Australia’s leading exponents of the Wagnerian repertoire who has performed throughout Australasia and internationally.
Wagner rôles include: Hans Sachs (Meistersinger) MOC; Wotan (Ring Cycle) MOC, OMM; Alberich (Ring Cycle) OA); Heerrufer (OA); Beckmes
Warwick Fyfe is an Australian opera singer, Helden Baritone, considered to be one of Australia’s leading exponents of the Wagnerian repertoire who has performed throughout Australasia and internationally.
Wagner rôles include: Hans Sachs (Meistersinger) MOC; Wotan (Ring Cycle) MOC, OMM; Alberich (Ring Cycle) OA); Heerrufer (OA); Beckmesser (OA); Klingsor (OA); Hunding (WASO); Dutchman (OA), Daland (VO); Wolfram (OA); Fasolt (SOSA).
Other rôles include: Water King (Vodnik) (Rusalka- WAOC); Scarpia (Tosca, OA, WAO); Pizarro (Fidelio-MO, OA,WASO); Amonasro (Aida, OA, Finnish National Opera); Athanaël (Thaïs) (FNO); Peter (Hansel and Gretel) OA, OMM; Four Villains (Tales of Hoffmann) English Touring Opera); Falstaff (OA); Rigoletto (OA, New Zealand Opera); Sancho Panza (Don Quichote) OA; Paolo (Simon Boccanegra (OA); Leporello (NZO, OA) ; Fra Melitone (Forza del Destino) OA; Scarpia (Tosca) WAO, OA; Tonio (I Pagliacci) NZO; Faninal (Der Rosenkavalier) OA; Schaunard (La Boheme) OA; Dr Schon /Jack the Ripper (Lul) OA; Germont (La Traviata) OA; Mandryka (Arabella) OA.
Warwick has delighted audiences in many comedic rôles, including Bottom (Midsummer Night’s Dream), Adelaide Festival; Barone di Trombonok (Viaggio a Rheims ) OA; Geronio (Il Turco in Italia) OA; Dr Bartolo (Barber of Seville) WAO, VOC; Pooh Bah (Mikado) ; Taddeo (Italian Girl in Algiers) NZO; Papageno (Magic Flute) OA; and many more.
Photo: As Athanaël, in Thaïs
Finnish National Opera, Helsinki
About Warwick
2025
16, 18, 20, 22 Feb. Die Meistersinger, Melbourne Opera Company. Royal Exhibition Building
14, 15 March Die Fledermaus. West Australian Symphony Orchestra
19, 23, 26, 29 July, 1, 5, 9, 11 Aug. Rusalka. Opera Australia. SOH
https://opera.org.au/productions/rusalka-sydney/
16, 18, 21, 23, 25 Oct Trovatore. West Australian Opera Company
https://
16, 18, 20, 22 Feb. Die Meistersinger, Melbourne Opera Company. Royal Exhibition Building
14, 15 March Die Fledermaus. West Australian Symphony Orchestra
19, 23, 26, 29 July, 1, 5, 9, 11 Aug. Rusalka. Opera Australia. SOH
https://opera.org.au/productions/rusalka-sydney/
16, 18, 21, 23, 25 Oct Trovatore. West Australian Opera Company
https://www.waopera.asn.au/shows/events/il-trovatore/
3, 4 October, Verdi Requiem. Queensland Symphony Orchestra. QPAC.
13, 16 November, Siegfried. Sydney Symphony Orchestra. SOH.
30 Nov.
Background & Education
Born: Canberra, Australia, 1969
Educated: Red Hill Primary School, Telopea Park High School, Narrabundah College, Canberra.
Canberra School of Music
Victorian College of the Arts (Opera Studio)
Victoria State Opera Schools Company 1992
Victoria State Opera Young Artist Program 1995
Opera Australia Young Artist Program 1998
Opera Australia Prin
Born: Canberra, Australia, 1969
Educated: Red Hill Primary School, Telopea Park High School, Narrabundah College, Canberra.
Canberra School of Music
Victorian College of the Arts (Opera Studio)
Victoria State Opera Schools Company 1992
Victoria State Opera Young Artist Program 1995
Opera Australia Young Artist Program 1998
Opera Australia Principal
Senior Principal Artist, Opera Australia
International Freelance Artist
As Coppelius, in Tales of Hoffman
English Touring Opera
Awards
Awards
Winston Churchill Fellowship; Helpmann Award; Green Room Awards; The Bayreuth Scholarship; Performing Arts WA award for outstanding achievement by an interstate artist; McDonald’s Aria; Heinz Australian Youth Aria; Leopold Julian Kronenberg Foundation Award (Stanislaw Moniuszko International Vocal Competition,Warsaw); Dame Mabel Brookes M
Winston Churchill Fellowship; Helpmann Award; Green Room Awards; The Bayreuth Scholarship; Performing Arts WA award for outstanding achievement by an interstate artist; McDonald’s Aria; Heinz Australian Youth Aria; Leopold Julian Kronenberg Foundation Award (Stanislaw Moniuszko International Vocal Competition,Warsaw); Dame Mabel Brookes Memorial Fellowship; The Austral SalonScholarship; The Mabel Kent Scholarship; Bayreuth Bursary
In Concert
Parsifal
Gurrelieder
Gurrelieder
"As the magician Klingsor, who was expelled by the Grail knights for his impure desires and established himself in the valley outside Montsalvat, Warwick Fyfe brought his unique combination of vocal and performance style to his villainous character (with Vincent Price coming to mind) in a magnificent display. With powerfully heated stento
"As the magician Klingsor, who was expelled by the Grail knights for his impure desires and established himself in the valley outside Montsalvat, Warwick Fyfe brought his unique combination of vocal and performance style to his villainous character (with Vincent Price coming to mind) in a magnificent display. With powerfully heated stentorian might, as if delivered from a smelter within, the energy that Fyfe delivered came skilfully forged and phrased, adding further weight to the heights he can reach after his excellent Alberich in Opera Australia's Ring." Operachaser, 11/08/2017
Gurrelieder
Gurrelieder
Gurrelieder
Under the baton of Maestra Simone Young.
“Australian bass-baritone Warwick Fyfe's performance of a part that has been taken by actors like Werner Klemperer (son of the conductor, Otto) or by ex-singers (Schoenberg apparently mulled over the idea of a retired tenor) was magisterial – full of illuminating gesture and direct communication (h
Under the baton of Maestra Simone Young.
“Australian bass-baritone Warwick Fyfe's performance of a part that has been taken by actors like Werner Klemperer (son of the conductor, Otto) or by ex-singers (Schoenberg apparently mulled over the idea of a retired tenor) was magisterial – full of illuminating gesture and direct communication (helping us to ‘see’, for example, the web that the summer wind tore away). Toward the end it was if Fyfe was longing to sing, a moving yearning that led logically into a powerful choral conclusion, testament to music’s ability to deliver the most decisively powerful climaxes.” Gordon Williams, Operawire. 24/03/2024
https://operawire.com/sydney-symphony-orchestra-2024-review-gurrelieder/#google_vignette
https://operawire.com/sydney-symphony-orchestra-2024-review-gurrelieder/#google_vignette
Fidelio
Gurrelieder
Fidelio
Under the baton of Maestro Ascher Fisch
“Warwick Fyfe is impassioned as the evil prison governor, joined by the 40-strong male members of the WASO chorus in his rousing introduction. His is a visceral performance. From the thump of his footsteps as he enters the stage, Fyfe’s performance supersedes the concert form, giving a peek into how
Under the baton of Maestro Ascher Fisch
“Warwick Fyfe is impassioned as the evil prison governor, joined by the 40-strong male members of the WASO chorus in his rousing introduction. His is a visceral performance. From the thump of his footsteps as he enters the stage, Fyfe’s performance supersedes the concert form, giving a peek into how this character could be played in a full production.” Leah Mercer, theconversation.com. 3/3/2020
“However, It's the villain of the piece, Don Pizarro, performed by Warwick Fyfe, who counters Libor's gravitas with wild fiendishness. He's an absolute menace, and uses his whole body to realise the character .... to make Pizarro behave and sound as odious as possible.” Broadway World . 1/3/2020
Photo As Pizarro, in Fidelio WASO