Contact and Repertoire
Representation
Concert Repertoire
Concert Repertoire
Patrick Togher, Director
Patrick Togher Artists’ Management
109A Burradoo Rd
Burradoo NSW 2576
Email: patrick@patricktogher.com
Mobile: 0411 129 690 (Patrick Togher)
Website: http://www.patricktogher.com
Natalie De Biasi: Artist Manager
natalie@patricktogher.com 0403 770 602
Paull-Anthony Keightley: Artist Manager
Paull@patricktogher.com 0433 04
Patrick Togher, Director
Patrick Togher Artists’ Management
109A Burradoo Rd
Burradoo NSW 2576
Email: patrick@patricktogher.com
Mobile: 0411 129 690 (Patrick Togher)
Website: http://www.patricktogher.com
Natalie De Biasi: Artist Manager
natalie@patricktogher.com 0403 770 602
Paull-Anthony Keightley: Artist Manager
Paull@patricktogher.com 0433 043 502
Amelia Berry: Assistant Artist Manager
A member of international Artist Managers’ Association (IAMA) http://www.iamaworld.com
A member of Opera Managers’ Association International http://www.operamanagers.org
https://www.patricktogher.com/warwick-fyfe/
Photo: by permission of
PTAM
Concert Repertoire
Concert Repertoire
Concert Repertoire
Bach, Ein Deutsches Requiem. Melbourne Bach Choir.
Bach, St John Passion. Melbourne
Bach, St Matthew Passion. Canberra
Bach, B Minor Mass. Canberra
Bartók, Bluebeard's Castle. Monash Academy.
Beethoven 9. SSO, MSO, WASO.,
Beethoven, Mass in C. Melbourne.
Beethoven, Fidelio (WASO)
Dvorak, Stabat Mater (Willoughby Symphony)
Mahler 8. (OMM, Sing)
O
Bach, Ein Deutsches Requiem. Melbourne Bach Choir.
Bach, St John Passion. Melbourne
Bach, St Matthew Passion. Canberra
Bach, B Minor Mass. Canberra
Bartók, Bluebeard's Castle. Monash Academy.
Beethoven 9. SSO, MSO, WASO.,
Beethoven, Mass in C. Melbourne.
Beethoven, Fidelio (WASO)
Dvorak, Stabat Mater (Willoughby Symphony)
Mahler 8. (OMM, Sing)
Orff, Carmina Burana SSO , MSO. QSO, ASO.NZSO.
Handel, Messiahs: Melbourne, Sydney, Brisbane, Adelaide, Hobart.
Missa Solemnis. SPO
Rachmaninoff, The Bells. (WASO)
Rossini, Stabat Mater. (SSO),
Szymanowski, Stabat Mater. (Melbourne Bach Choir)
Schoenberg, Gurrelieder. SSO
Verd, Requiem WASO, QSO, WAYO
Wagner, Rheingold, OMM (Sing)
Wagner, Walküre. WASO
Wagner; Parsifal OA
Siegfried, SSO
Photo:
Siegfried, in Concert with the Sydney Symphony Orchestra, under the baton of Maestro Simone Young.
Opera Repertoire
Concert Repertoire
Opera Repertoire
Warwick Fyfe is an Australian opera singer, Helden Baritone, considered to be one of Australia’s leading exponents of the Wagnerian repertoire who has performed throughout Australasia and internationally.
Wagner rôles include: Hans Sachs (Meistersinger, MOC); Wotan (Ring Cycle, MOC, OMMS); Alberich (Ring Cycle OA); Heerrufer (Lohengrin)
Warwick Fyfe is an Australian opera singer, Helden Baritone, considered to be one of Australia’s leading exponents of the Wagnerian repertoire who has performed throughout Australasia and internationally.
Wagner rôles include: Hans Sachs (Meistersinger, MOC); Wotan (Ring Cycle, MOC, OMMS); Alberich (Ring Cycle OA); Heerrufer (Lohengrin); Beckmesser (Meistersinger, OA); Klingsor (Parsifal, OA); Hunding (Walküre, WASO); Dutchman ( Der Fliegende Höllander. OA) , Daland (Dutchman, VOC); Wolfram (Tannhauser, OA); Fasolt (Rheingold, SOSA).
Other rôles include: Vodnik (Rusalka, WAO, OA); Scarpia (Tosca, OA, WAO); Pizarro (Fidelio, OA, MOC); Amonasro (Aida, OA, FNO); Athanaël (Thaïs, FNO); Peter (Hansel and Gretel); Four Villains (Tales of Hoffmann, ETO); Falstaff (OA); Rigoletto (OA, NZO); Sancho Panza (Don Quichotte, OA); Paolo (Simon Boccanegra, OA); Leporello (Don Giovanni); Fra Melitone (Forza del Destino); Tonio (I Pagliacci, NZO); Faninal (Der Rosenkavalier, OA); Schaunard (La Boheme, OA); Dr Schon /Jack the Ripper (Lulu, OA); Germont (La Traviata, OA); Mandryka (Arabella, OA).
Warwick has delighted audiences in many comedic rôles, including Bottom (Midsummer Night’s Dream, SOSA); Barone di Trombonok (Viaggio a Rheims, OA); Geronio (Il Turco in Italia, NZO); Dr Bartolo (Barber of Seville); Pooh Bah (Mikado, OA) ; Taddeo (Italian Girl in Algiers, NZO); Papageno (Magic Flute, OA); and many more.
Photo: As The Vodnik, Rusalka. Opera Australia 2025. Photo credit: Carlita Sari for OA.
About Warwick
Background & Education
Background & Education
Background & Education
Born: Canberra, Australia
Educated: Red Hill Primary School, Telopea Park High School, Narrabundah College, Canberra.
Canberra School of Music
Victorian College of the Arts (Opera Studio)
Victoria State Opera Schools Company 1992
Victoria State Opera Young Artist Program 1995
Opera Australia Young Artist Program 1998
Opera Australia Principal
Se
Born: Canberra, Australia
Educated: Red Hill Primary School, Telopea Park High School, Narrabundah College, Canberra.
Canberra School of Music
Victorian College of the Arts (Opera Studio)
Victoria State Opera Schools Company 1992
Victoria State Opera Young Artist Program 1995
Opera Australia Young Artist Program 1998
Opera Australia Principal
Senior Principal Artist, Opera Australia
International Freelance Artist
Wotan, with Walküre. Antoinette Halloran as Brunnhilde
Photo Credit: Robin Halls
2025-2026
Background & Education
Background & Education
16, 18, 21, 23, 25 Oct Trovatore
West Australian Opera Company
https://www.waopera.asn.au/shows/events/il-trovatore/
3, 4 October, Verdi Requiem. Queensland Symphony Orchestra. QPAC..
13, 16 November 2025, Siegfried. Sydney Symphony Orchestra. SOH.
30 Nov.
30 Nov 2025. A Night at the Opera. Corpus Medicorum. .Melbourne Recital Centre.
16, 18, 21, 23, 25 Oct Trovatore
West Australian Opera Company
https://www.waopera.asn.au/shows/events/il-trovatore/
3, 4 October, Verdi Requiem. Queensland Symphony Orchestra. QPAC..
13, 16 November 2025, Siegfried. Sydney Symphony Orchestra. SOH.
30 Nov.
30 Nov 2025. A Night at the Opera. Corpus Medicorum. .Melbourne Recital Centre.
26, 27, 30 June 2026; 2, 4 July 2026. Rusalka, Brisbane. Opera Queensland.
19, 22 November 2026, Götterdammerung. Sydney Symphony Orchestra.
https://www.sydneysymphony.com/concerts/simone-young-conducts-gotterdammerung
As Ferrando, in Il Trovatore, WAO
Selfie
Awards
Background & Education
Awards
Winston Churchill Fellowship; Helpmann Award; Green Room Awards; The Bayreuth Scholarship; Performing Arts WA award for outstanding achievement by an interstate artist; McDonald’s Aria; Heinz Australian Youth Aria; Leopold Julian Kronenberg Foundation Award (Stanislaw Moniuszko International Vocal Competition,Warsaw); Dame Mabel Brookes M
Winston Churchill Fellowship; Helpmann Award; Green Room Awards; The Bayreuth Scholarship; Performing Arts WA award for outstanding achievement by an interstate artist; McDonald’s Aria; Heinz Australian Youth Aria; Leopold Julian Kronenberg Foundation Award (Stanislaw Moniuszko International Vocal Competition,Warsaw); Dame Mabel Brookes Memorial Fellowship; The Austral SalonScholarship; The Mabel Kent Scholarship; Bayreuth Bursary
The Vodnik, Rusalka
Opera Australia 2025
Photo credit: Carlita Sari
In Concert
Verdi Requiem
Verdi Requiem
Verdi Requiem
Queensland Symphony Orchestra
Under the baton of Maestro Umberto Clerici
“Baritone Warwick Fyfe was eminently suited to the role, his sonorous, robust tone as rich as figgy pudding. His rendition of the haunting Confutatis (When the Cursed) was magnificent, and the combination of his bass, the chorus and the trumpets during Tuba Mirum was t
Queensland Symphony Orchestra
Under the baton of Maestro Umberto Clerici
“Baritone Warwick Fyfe was eminently suited to the role, his sonorous, robust tone as rich as figgy pudding. His rendition of the haunting Confutatis (When the Cursed) was magnificent, and the combination of his bass, the chorus and the trumpets during Tuba Mirum was thrilling.” Dr Gemma Regan, Limelight. 5/10/2025
Photo by Dr. Bruce Caldwell
Gurrelieder
Verdi Requiem
Verdi Requiem
Sydney Symphony Orchestra
Under the baton of Maestra Simone Young.
“Australian bass-baritone Warwick Fyfe's performance of a part that has been taken by actors like Werner Klemperer (son of the conductor, Otto) or by ex-singers (Schoenberg apparently mulled over the idea of a retired tenor) was magisterial – full of illuminating gesture an
Sydney Symphony Orchestra
Under the baton of Maestra Simone Young.
“Australian bass-baritone Warwick Fyfe's performance of a part that has been taken by actors like Werner Klemperer (son of the conductor, Otto) or by ex-singers (Schoenberg apparently mulled over the idea of a retired tenor) was magisterial – full of illuminating gesture and direct communication (helping us to ‘see’, for example, the web that the summer wind tore away). Toward the end it was if Fyfe was longing to sing, a moving yearning that led logically into a powerful choral conclusion, testament to music’s ability to deliver the most decisively powerful climaxes.” Gordon Williams, Operawire. 24/03/2024
https://operawire.com/sydney-symphony-orchestra-2024-review-gurrelieder/#google_vignette
https://operawire.com/sydney-symphony-orchestra-2024-review-gurrelieder/#google_vignette
Siegfried
Verdi Requiem
Siegfried
Sydney Symphony Orhestra
Under the baton of Maestra Simone Young
“Siegel’s might be a hard act to follow, but baritone Warwick Fyfe more than rises to the challenge as Mime’s brother Alberich. Here we have two of the world’s best Nibelung, and like Siegel, Fyfe has made his role his own (including during all three stagings of the Ring Cycle
Sydney Symphony Orhestra
Under the baton of Maestra Simone Young
“Siegel’s might be a hard act to follow, but baritone Warwick Fyfe more than rises to the challenge as Mime’s brother Alberich. Here we have two of the world’s best Nibelung, and like Siegel, Fyfe has made his role his own (including during all three stagings of the Ring Cycle by Opera Australia in 2013 Both enunciate perfectly, extracting every ounce of textual information Wagner embedded in his libretto.
And most importantly, they rid the Nibelung of the farcical and antisemitic traits often imposed on them, restoring a gravitas that befits the race after which Wagner’s tetralogy is named. It is, after all, Alberich’s curse that propels the Ring Cycle to its inevitable conclusion.”
Jansson J Antmann. Limelight, 13/11/2025
2016 (https://limelight-arts.com.au/reviews/review-das-rheingold-opera-australia/) and 2023 (https://limelight-arts.com.au/reviews/das-rheingold-opera-australia/).
(https://limelight-arts.com.au/reviews/live-review-with-video-das-rheingold-opera-australia/),